All About My Mother And The Idiots Film Studies Essay

Art merely non take into its crease the deepest emotions but besides narrates all sorts of feelings into the ambiance, sometimes reflecting cultural yesteryears and individualities. . When it comes to cinematic plants of a state, art play a critical function in picturing the yesteryear and the present scenarios. Film is a medium that can present emotions in a really loud and clear mode, Mostly it is due to the fact that people who are sensitive plenty to see the society in the deep go through a major attempt to do certain that all the moralss and emotions which identifies them as a state can be put in such a mode that it leaves an ageless impact. A movie can picture what are the ethical motives of the state and what is traveling on at the minute, and what cultural issues are being addressed by the common populace of that state. As Mohandas Gandhi has said “ A state ‘s civilization resides in the Black Marias and the psyche of its people ” ( Wederspahn 32 ) .

Film is an appropriate medium to portray civilization of a state. Two films from the European part have been chosen to be compared about how art can picture a state ‘s civilization, individuality and yesteryear. First film All About My Mother ( 1999 ) revolves around the norms of Spain where as the 2nd one The Idiots ( 1998 ) revolves around the parts of Denmark and Scandinavia. As it is really of import to first sum up the whole secret plan on which the two films are based upon, a brief drumhead together with points that have been highlighted in these films.

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All About My Mother ( Pedro Almodovar, 1999 )


The chief histrions in this movie are Cecelia Roth and Penelope Cruz. The narrative starts with a adult female named Manuela i.e. Cecelia Roth, who is a medical graft coordinator and individual ma, taking attention of his boy who is 17 old ages old named Esteban. She takes him to see a phase production of “ A Streetcar Named Desire. ” After the show, they wait to see the star Esteban ‘s favourite actress, “ Huma Rojo ” ` , so that he could acquire her autograph, but as he was traveling towards his favourite actress a awful accident happens, Esteban gets hit by a auto and is killed, this was the most annihilating point of Manuela ‘s life. In mourning, Manuela decides to set her life in to order and make some things which she should hold done a long clip ago, in which the first thing that she includes is a journey to Barcelona to edify the male child ‘s ignorant male parent about the loss. Subsequently the male parent turns out to be an HIV-positive cross-dresser named Lola. As the narrative unfolds it is besides shown that Manuela runs into an old familiarity called Agrado, a transsexual who out of the blue becomes the personal helper of Huma Rojo ; the actress Esteban had ever admired and helps her administer her costar and lover Nina. Manuela besides meets a immature nun, Sister Maria i.e. Penelope Cruz, who works in a non-profit-making organisation that helps battered cocottes and has programs to travel to El Salvador, but becomes distressingly pregnant. Penelope Cruz discovers that she has besides been contaminated with AIDS ; Cecilia makes a determination to take attention of her and welcome her into her ain place.

Points About national individuality and national yesteryear

The points which have been highlighted in this film, that depict the nature of the past and individuality of Spain, are as follows ( smith 28-30 ) :

anti-government work stoppages

the jubilation of democracy,

the spread of AIDS

Manuela ‘s journey in hunt of herself identifies a great figure of things which can be besides identified as the national Markss of Spain and at the deterritorialized frontier of national individuality, gender, Manuela finds that a cross-dresser can convey a batch of things together because he is neither from here nor from anyplace else, he is person in between and could assist things to reconnect, particularly the masculine and feminine sense together anyplace else. Here, the best illustration of the jubilation of democracy is the openness of how cross-dressers are being handled in the film.

All cinematic allusions are good interpreted in All About My Mother.

The manager captured the histrions in motion following their activity within suites therefore making a feeling of familiarity as compared to the common scripted movie genre.

Spain peculiarly Madrid is good represented in Almodovar movie. The thematic dimension adopted was strong ; hence, limited unreal effects were utilised. The cultural issues of trans-sexuality, adult females and society, bonding of the household and direct humanitarianism portraiture made the audience experience the kernel of the film. The democracy prevalence, work stoppages against the authorities, oncoming of AIDS every bit good as the General Pinochet prosecution are dramatically transcended in the scenes.

The statement concerned with national individuality came back with revenge to the cultural argument in advancement. It amalgamates the variables of ethnicity, gender, gender triping the casting of closed individualities for picturing drifting 1s that are affected by diverse cultural issues ( Diniz 34 ) .

The movies by Almodovar have marked the revolution of “ post-Franco Spain ” . Spanish civilization is represented through household dealingss, faith, gender therefore portraying a universe which is held integral by the independent generic hybridity regulations. Gender is merely relevant as a social concept ; whereas marginality takes the centre phase ( Acevedo-Muno 26 ) . Conventional norms of Spain are revitalized with somewhat different significance. The desire and “ chase for pleasance ” are emphasized at the Southern Cross of true Spanish individuality ( Hill and Gibson 100 ) .

In order to acquire an thought behind the national individuality as presented in the film secret plan it is of import to acquire an apprehension of the Spanish context from where Almodovar established himself as a film maker. Spanish citizens led an laden life under the regulation of Franco, morality was extremely stressed together with censoring of natural thoughts ( Kinder 42 ) ; even being a patriarchal community, the fatherlike figure had no part to the household. Therefore in All About My Mother, the manager centered the subject around an “ exalting female parent ” while the male parent was portrayed like a inactive figure ( Dafini ) .

In Spain, Barcelona and Madrid are the characters of national individuality, hence, Almodovar utilized the cityscape as court to his state e.g. in the movie when Manuela reaches Barcelona, the filming captured the topographic point as heavenly and poetic. “ Shot-reverse-shot ” among the cathedral built by Antonio Gaudi and Manuela gave the feeling as the supporter has reached a topographic point of greening. The metropolis seemed to hold a holy spirit while in actuality under Franco regulation, the absolutism prohibited freedom of look in the society ( Dafni ) .

The musical composition of Almodovar is frequently characterized by melodrama, yet he managed to explicate his ain rules that can non be summed up in one specific genre. All manners of look are elaborately fused in the movie ( Acevedo-Muno 20 ) .

In All About My Mother, intertexuality is stressed upon to do the audience witting and for self contemplation therefore doing the point clear to the viewing audiences without statement with the spectator. It is under the kingdom of these textual affects that the film histrions search their individualities

It can be judged as a “ movie of adult females, instead than a movie about adult females ” . The word picture of Manuela, her journey to seek for her ain individuality, past reminiscences stalking her present province of head with the calamity farther impeded by the ill-timed decease of her boy ( Diniz 34 ) .

The Idiots ( Lars Von Trier, 1998 )


The movie is of a genre which is specified as hideous. The secret plan of The Idiots ( -1998 ) is reasonably blunt and instead it can be regarded as being reasonably blunt. The narrative revolves around a spoilt terror populating for free in his uncle ‘s house under the alleged ground of set uping it for sale, Stoffer i.e. Jens Albinus, invites a clump of friends over to remain. Without any money to acquire by, Stoffer comes upon the thought of ‘spazzing ‘ , which means that he and his friends started to feign to be retarded or in simpler words they acted like they were mentally non stable, in order to avail themselves of society ‘s bigheartedness. What starts out as a gag fleetly changes its class and becomes a manner of life for him and his group of friends as they try to acquire in touch with their interior imbeciles by continuously moving the act of spazzing, but when Stoffer accidentally brings introspective novice Karen i.e. Bodil Jorgensen into the group through a spazzing incident, cipher knew that the result would be so hideous to manage.

Points About national individuality and national yesteryear

The idiots nowadayss this specific group of people known as the spazzers as a microcosm for “ The Group ” in order to research the limitations and possibilities for transcendency of a construct that is at the foundation of the Danish national individuality. This individuality is non specific to the Danish people, but besides Norse people can associate to it, this helps us to understand the critical and popular success of the imbeciles in Denmark, Sweden, and Norway, and its reciprocally unenthusiastic response in the remainder of the universe, including the United States, where it was released after a biennial hold ( Ago 38 ) . By making a combination of such ugly and horrid natured people, and doing people chuckle at their opprobrious actions, and in bend be painful, Von Trier strikes a chord with people about their ain falseness and dual criterions and besides the lip service of the universe at big when it comes to kindness and sentiments ( McKenzie, 2005 ) .


Both of the films are really different from each other, in context, narrative and secret plan. One negotiations about societal issues like AIDSs and other negotiations about how people could go hypocrite. In All About My Mother the basic narrative evolves around adult females and their issues within the society. Particularly in Spain where as in the film The Idiots largely hypocritical factors of the Danish and Norse society are being portrayed and could be easy pointed out in assorted stances in the screen drama. Both being European societies do hold some interconnectedness with each but, their civilization and their natural individualities are a wholly different ball game. This assessment besides tells us that Spanish people still do hold some bosom to care about people who have been wronged in life in some ways or the other by the society but that is non the instance with the Danish society, as it caters to much more lip service. Besides in the first film there is a great sum of treatment available upon the democracy of the state where these factors are non available in the Danish film. Another issue that has been raised in All About My Mother is about the society of cross-dressers, this is a group which is considered a tabu all around the universe and it is a group that has been given a certain by everyone.

The lone part in which both films cross route is when there is a talk about certain groups of societies as the ulterior movie negotiations about a group of people who act retarded to acquire what they want, here two different groups are being discussed but really these groups do stand for who we are and what we were in the yesteryear, non merely as human existences but as a state.

Particularly if, the film The Idiots is considered it would be seen that group activity has been the chief subject of the narrative. In Denmark it is non the affair of category or race that counts instead the affair of belonging to a certain sort of group, particularly, when it encompasses everyone as there is a small opportunity of accommodation if person is marked as an foreigner ( Ago 38 ) .

Other than that some traditions of household and its values are seeable in All About My Mmother but in The Idiots all of the boundaries have been breached when it comes to things like household and ethical motives.


Both movies come from different genre and cater different sorts of audience, after watching All About My Mother 1 does experience down and sorrow but there is a lesson that could be learnt through this film, it is no uncertainty that it deserved an academy award, but when it comes to the film The Idiots one can non deny that it is a superb work of art, the film is dry, get downing off with a cheerful note, temper is good versed in scenes yet it leaves the viewing audiences with a down feeling And this is all due to the fact that the manager has tried to convey a message in a really consecutive forward mode which could hold been elusive.

Despite the fact both films have their pros and cons, both of the films have been successful in conveying the message really clearly about how their several societies have been moving in the yesteryear, about their authoritiess, moralss and traditions and how these factors would impact the hereafter of their society.


Ago, Alessandro. Once Upon a Time in Amerika Dancer in the Dark and Contemporary European Cinema. The Division.

Acevedo-Munoz, Ernesto R. “ The Body and Spain: Pedro Almodovar’sA All About My Mother. ” Quarterly Review of Film and Video Vol. 21 ( 2004 ) : 25-38.

Dafni, Kelly, Pedro Almodovar ‘s Renegotiation of the Spanish Identity, 2011 [ Online ] Available at & lt ; hypertext transfer protocol: // & gt ;

Smith, Paul J. Sight and Sound. Cambridge University imperativeness: London, 1999.

McKenzie, Edward. “ The Idiots ( Idioterne ) ” ( 1998 ) . [ Online ] Available at & lt ; hypertext transfer protocol: // ID=6221 & gt ;

Wandersphan, Gary M. Intercultural services: a worldwide purchaser ‘s usher and sourcebook. Gulf printing company: Houston, 2000.

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Hill, John and Gibson, Pamela Church. World Cinema: Critical Approaches. Great Clarendon Street, Oxford University Press: Oxford, 2000.Kinder, Marsha. “ Reinventing the Motherland: Almodovar ‘s Brain-Dead Trilogy. ” Film Quarterly Vol. 58, No. 2 ( 2004 ) 9-25


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