Antoni Gaudi Describe Innovation: Background on the Designer: Antoni Gaudi was born in the region of Reus, which is located in Catalonia on 25th of June 1852. As a child, Gaudi suffered from arthritis which kept his school attendance low and forced him to spend more time outdoors with nature and animals. Approximately the year of 1870, Gaudi moved to Barcelona to study architecture at the Provincial School of Architecture. His marks were quoted ‘What had been produced in these two courses was either the work of an insane man or a Genius’.
Motivation/Purpose of Designer: Gaudi’s parents, Francesc Gaudi Serra and Antonia Cornet Bertran, both working in the Coppersmith Industry and their whole families were Coppersmiths, so having both parents as sculptures and a designer of artifacts; it was only a matter of time before Antoni was struck by the family traditions. Market Opportunities identified. The art that Gaudi produced brought in heavy attention from locals but mostly from tourists. People from all over the world travelled to Barcelona to observe The Casa Mila.
This also raised interest in Architecture, as people started to notice Guadi’s designs and unique style, more people wanted to join the industry of architecture. Parameters/Limits of design. Gaudi had no limit to his design, his designs were one of a kind and no-one to this day has ever come close to the distinctive sense of style. His designs turned Barcelona into a tourist icon. Other possibilities investigated. Gaudi did not just design buildings.
He also designed landscaping in parks; the famous Park Guell in Barcelona is a great example of how he stretched his abilities in all aspects of design. Gaudi loved mosaics, creating a spectacular multi-coloured mosaic dragon fountain at the main entrance of the Park Guell. How possibilities were investigated. Gaudi needed to be highly sophisticated, he needed a great understanding of mathematics, engineering and drafting to create the art he has created in his life. He attended University to pursue a degree in Architecture.
Criteria used to determine the success. Back in the 1800’s there were no computers or televisions so the only message people could share with one another was through verbal communication, therefore all the feedback or criticism Gaudi received was through interaction with his community and tourists. How were these criteria determined? These criteria’s were determined by the time period Gaudi was alive and producing his art works, and the fact that Televisions and Computers were invented until the 20th century,
Action, time and finance plan. In the 1800’s they did not have the tools that we have today, making them work harder using the tools and lack of technology they had. The Temple Expiatori de la Sagrada Familia, is a massive Roman Catholic church in Barcelona, is a great example of how his designs were incredibly difficult to build, he started constructing the church in 1882 and is still not completed, it will be expected to be finished by 2026. How does the designer develop ideas?
Gaudi spent a lot of his childhood outdoors, which gave him a superior relationship with nature; he understood and studied how the trees grew and how time goes by, the vines crawl up the walls. His designs are one a kind and unless someone has lived the childhood he did, no-one will ever compete with Guadi’s advanced ideas and designs. What resources were used in the design? Gaudi needed to have a good understanding of mathematics, understand the logistics of Engineering, Physics because he built his churches to extraordinary heights, and Architecture for his one-off designs. What areas of design are creative?
All his work and all area’s of design are creative to Gaudi. List research, tests, experiments that aid in the development of commercial products. How have the above results influenced the final product? By having floor prints with you whilst building the creation, it give you an idea what the final product should look like in its finishing stage and will help construct the product more sufficiently. Explain, concept drawings? Concept drawings are forms of illustrations where the major objective is to express a visual representation of a design, plan, idea or product. Working drawings. [pic]