How the advances in technology has impacted on the making of cinema Essay

How the progresss in engineering has impacted on the devising of film

Abstraction:

We will write a custom essay sample on
How the advances in technology has impacted on the making of cinema Essay
or any similar topic only for you
Order now

The purpose of my research is to make an apprehension of the digital filmmaking techniques used to bring forth life and to happen out what impact this as had or is holding on the production procedure. I aim to happen out what impact redacting and digital use to movie will hold on film as a whole. I will research the history and beginnings of digital filmmaking including the alterations and progresss in engineering. During the last decennary the movie industry produced more and more alive movies. Animation goes beyond the realistic universe, leting the spectator into a phantasmagoric platform and be captivated in a universe that doesn’t exist. Animation sets out a futuristic environment to worlds we couldn’t perchance conceive of what it really looks like. Fantasy adventure Movies like Avatar allow the audience engage with a universe that merely does non be to a certain extent it is about impossible to hit all the needed scenes, this is where the digital effects take over. I would wish to foster my research into what consequence digital engineering has had on the ingestion of movie raising the inquiry ‘ Has this changed our cinematic experience? ’

How the progresss in engineering has impacted on the devising of film

Table of Contentss:

Abstracti

Table of Contents two

Introduction

Background and Context

Possible Problems What is the Digital Revolution Is Cinema Dead

Chapter One:Digital Technology

What’s Changed?

Technological History

Is Cinemas Future Digital or Film?

CGI- Is Two Dimensional Cinema a Revolution or a Dying Art Form?

Chapter Two:Digital engineerings impact on the procedure of filmmaking.Pre Production

Production

Post Production

Changes in Animated Films

Film Distribution

Drumhead

Chapter Three:

DecisionDrumhead EvaluationMentionsReading List

Background and Context

The purpose of my research is to make an apprehension of the digital filmmaking techniques used to bring forth life and to happen out what impact this as had or is holding on the production procedure. I aim to happen out what impact redacting and digital use to movie will hold on film as a whole. I will research the history and beginnings of digital filmmaking including the alterations and progresss in engineering. During the last decennary the movie industry produced more and more alive movies. Animation goes beyond the realistic universe, leting the spectator into a phantasmagoric platform and be captivated in a universe that doesn’t exist. Animation sets out a futuristic environment to worlds we couldn’t perchance conceive of what it really looks like. Fantasy adventure Movies like Avatar allow the audience engage with a universe that merely does non be to a certain extent it is about impossible to hit all the needed scenes, this is where the digital effects take over. I would wish to foster my research into what consequence digital engineering has had on the ingestion of movie raising the inquiry ‘ Has this changed our cinematic experience? I will briefly expression at the attacks taken to research within film and statements against them. I will look at innovators that developed engineering and the technological progresss that have risen from them.

Chapter one will research what is meant by the term ‘digital revolution’ giving a brief history in the technological progresss. Second it will look at the early developments I animation looking at how the foundations for life production were developed.

Chapter two will concentrate on each phase of the production procedure and how Digital engineering has specifically influenced these. The overall intent is to happen out what deductions film makers have experiences and the impact it has had on their budget, creativeness. I will further my research into the procedure of life and give brief debut into the specific engineering that has aided life and whether it is good.

Chapter three will look at audience reaction to digital engineering as a whole and the deduction of movie distribution upon film. It will look at the place film takes on modern society and how modern engineerings have a negative impact on its gross.

To reason I will discourse possible future deduction digital engineering might hold on film and where the industry stands. I aim to happen out whether as a whole is the digital revolution a success. I will seek to reply the inquiry of is the art movie dead? Is this the terminal of celluloid movie and 2D life?

Possible Problems:

It isn’t clear when the digital revolution started or when it ended. It is still traveling? That isn’t what I aim to find. I ask the inquiry of it’s influences, have they contributed to how we perceive and produce movie and media across all accessible platforms today. My survey will measure what has been written on the topic determined whether it is positive or negative, finally looking at its influences avoiding giving my personal sentiment as I have a colored position as I am straight influenced by the digital revolution and engineerings. When researching the topic I found that innovators and film makers within the soundless epoch were against the revolution and pointed out merely its negatives

Digital Revolution:

The term digital revolution was a term devised to depict the displacement from parallel to digital. I peculiarly interested how the displacement has affect storytelling and narrative Academic movie surveies show that although the displacement to digital has deductions on the practicality of filmmaking it does non hold a direct on the narrative construction of a movie, if anything the debut of new redacting packages have capablenesss that allow the editor to bring forth no additive movies. However the rapid alterations within the digital epoch have deductions of the usage of linguistic communication within movies. Criticism have been made to state that if person non of the native linguistic communication of the movie the construct will non be understood hence taking the attending off from the visuals doing movie as apposed to movies of the silent epoch which is distributional across states. It is said that movies from the digital epoch are taking away the intent of a movie and are no longer what is considered as an art signifier.

I will look at when the digital epoch became more popular and it’s demand for it. This will include the analysis of the connexions between digital and linear movie and its affect on storytelling. The term ‘Digitextuality’ was a term devised by theoretician Anna Everette and John T Caldwell for the passage between parallel and digital filmmaking, where progresss creates a new signifier of media.

It could be argued that ignoring the technological advances the procedure of filmmaking has remained the same that it is still automatically or electronically produced and made for economic and amusement intents. Techniques relevant to early film have remained the same and are apparent in movies today, for illustration, camera motions, cuts and image collages are found in current movies chase awaying the statement that that digital engineering allows the manufacturer to excel the limitations of narrative in the soundless epoch.

Is Cinema Dead?

The survey will look at the advantages that digital engineering has over linear engineerings what they mean to the movie industry and the audience. Theorist argue that digital engineering does hold restrictions and thoughts revolutionised in the epoch of parallel is lost’ . The enticement to research the possibilities of the engineerings loses the art of movie. It is argued that there is no thought procedure any longer and that film makers are excessively reliant on the engineering to bring forth productions. Film is no longer an art signifier.

The counter statement to that is that is wholly personal sentiment and some might see that the loss of some elements of parallel movie as a positive and a restriction to one individual could give originative freedom to another.

‘If we are to take history of the imperfectnesss of these Instruments, their restrictions, by what standards may these be defined? ’

( Jean-Louis Baudry )

When digital engineering enters the movie doing procedure it is difficult to foretell how much it will alter and how it will act upon the filmmaking procedure but it allows the film maker to travel in front without doing premises on its positiveness hence leting originative freedom.

Chapter One:

Digital Technology- What’s Changed?

Harmonizing to some theoretician nil. The rules of filmmaking have remained the same it still automatically produced ran through a ‘cut- process’ and so distributed to audiences via film. Although that the procedure follows that signifier it is simplistic ; the debut of sound, color Television, animated movies and the patterned advance from parallel to digital production saw the development of the “digital revolution” There has been a varied sum of arguments sing the ‘digital revolution’ of when it stared, what started it and it’s impact. Without giving a elaborate history of the development of movie the following chapter will look at the technological progresss that shaped the industry, their beginnings and the logical thinking behind these alterations.

Film patterns and methods are germinating quickly and technological developments and progresss such as computing machines are impacting the production procedure pass overing out traditional methods of filmmaking.

Technological history

It could be said that the development in engineering is what first pull the spectator to movies. The art signifier instantly set out possible for new mediums and platforms the industry could take. The development of sound contributed to the demand to see movies for the ‘technological advance’ instead than it purpose or narrative. The invention of sound within a movie echoed the theory of produced an economic growing.

Early movies produced by Warner Brothers are the first noteworthy movie that uses sound but experiments such as the “cinematograph” were being carried out. Thomas Eddison merged the Kinetascope with a record player. That allowed you view a movie with sound.

“ I am experimenting upon an instrument which does for the oculus what the record player does for the ear, which is the recording and reproduction of things in gesture ” ( 1 )

( Thomas A. Edison, 1888 )

Although the invention of sound was a large measure in the industry it was argued that it didn’t take the movie industry frontward. It was claimed that it gave infinite jobs including curtailing the markets because of linguistic communication. It meant that the ‘technicality’ of the movies suffered because camera motions were restricted. Initially the demand for sound accompanied movies grew easy there were concerns that it was merely a passing freshness. The invention of sound meant that it affected the distribution and exhibition of movies seting film in the ‘driving seat’ . This meant that film had to put in expensive engineerings that would powerfully alter the cinematic experience with most films merely set for soundless movies. The comparing between music from a unrecorded orchestra was described as ‘less effective’ and lacked the tone qualities of the music that comes from the orchestra’ ( 2 ) This was reassured by larger movie companies.

“ The speaking image has its topographic point but this does n’t intend that the soundless image is doomed. On the contrary, it will stay the anchor of the industry ‘s commercial security. ” ( 3 )

( Jesse L. Lasky )

The development of color Television could besides be seen as freshness therefore giving film makers inspiration for farther development as many believed that the usage of engineering raised audience’s reactions to their movies. The thought of coloring material was a jubilation of engineering, without this progress coloring material movies wouldn’t exist. It would look it was that its creative activity wasn’t for pragmatism it was made to be in a fantasy explicating why it was seen most in phantasies, life, children’s Television and musicals chase awaying the theories that technological progresss were developed to animate ‘reality’

Technological progresss like these had been mate to re set up the ground for sing film in effort to maintain it fresh and new. The invention of widescreen was cinemas effort to re implement the cinematic experience against the telecasting.

Is Cinemas Future Digital or Film?

Is the movie epoch dead? As audiences progress more towards the observation DVD. This displacement towards digital movie is cheaper than movie it eliminates the “risks” of movie produced productions, nevertheless its argued that it’s the ‘risk that makes the film’

It is argued that if digital movie takes over that the thaumaturgy of movie will be lost. It is argued that movies were designed for the large screen and that watched on other signifiers will lose the component of the narrative as it disengages the audience from the narrative. Although we are concerns about the distribution movies on DVD and their affect on film Kurt hall argues that there is still a batch of work to be done on technology’ and ‘ digital film is likely a batch further off than most people would believe. ( 4 )

Is the movie epoch dead? As audiences progress more towards the observation DVD. This displacement towards digital movie is cheaper than movie it eliminates the “risks” of movie produced productions, nevertheless its argued that it’s the ‘risk that makes the film’

It is argued that if digital movie takes over that the thaumaturgy of movie will be lost. It is argued that movies were designed for the large screen and that watched on other signifiers will lose the component of the narrative as it disengages the audience from the narrative. Although we are concerns about the distribution movies on DVD and their affect on film Kurt hall argues that there is still a batch of work to be done on technology’ and ‘ digital film is likely a batch further off than most people would believe. ( 4 )

The rapid growing of digital engineering in movie has generated a batch of arguments into the ‘death of movie. The argument isn’t about what serves better celluloid or digital, it about the artistic pick and what complements the narrative. For some film makers the pick to choose for digital production is down to aesthetics non merely because it’s cheaper. The handiness of cameras presents has risen the sum of low budget movies doing it more low-cost for independent companies to bring forth movies.

“The image is no longer truthful”

( Martin Scorsese )

From the rise in digital engineering it’s created contention into its intent, practically the usage of CGI. “Digital engineering allows you to make things that you could ne’er conceive of but at the same clip we don’t cognize if our younger coevals is believing any longer on screen” . ( 6 )

With the addition of CGI, Is planar film a revolution or a dying art signifier?

Cipher draws sketchs any longer ; the progresss in engineering have changed the manner in which life is produced.

Harmonizing to innovator Winsor Mccay “ Animation should be an art, what you fellows hold done with it is doing it into a trade non an art, but a trade, bad fortune. ” ( 7 ) Mccay produced his earliest lifes individual conveniently and harmonizing to Animation in Hollywood. So Mccay’s innovation is where the true foundations of life were built? Personally I think this is where we saw the possible for development. Mccay’s thought had its defects, which is why I believe the movie industry and society is to a great extent reliant on engineering invariably making room for development and demands for new mediums. The procedure to Mccay’s technique had it negatives that it could take a twelvemonth to bring forth merely a individual 5 minuets of movie. This meant that the movie industry already began to see the proficient progresss in life making a new signifier of film.

With the development in engineering and package, the movie industry is able to transcend the realistic existent universe making new universe and environment that don’t exist. Like every other development they became differences to endure the progresss and 3D as become the new criterion and that 2D life is dead. With the addition of CGI, Is planar film a revolution or a dying art signifier?

A big proportion of energizers still believe in the traditions of 2d life. In a Video web log John Lasster says, “ Never in the history of film, has a film been entertaining to an audience because of the engineering. It’s what you do with the medium that’s so special.” He goes on to state “There are incredible tools but they are no different to pencil to paper” ( 8 )

“We have great tools but it is what the film maker does with it. The foundation of Pixar is that art challenges engineering and engineering inspires the art.”

( John Lasster )

“Animation is something that needs the pencil and adult males drawing” ( Hayao Miyazaki )

×

Hi there, would you like to get such a paper? How about receiving a customized one? Check it out