Post Modernism In The Society Cultural Essay

A witting expression at our society will reexamine its constantly dynamic or changing nature. Society fluxes continually with clip change- as was noted by Greek-free-thinker, Heraclitus- when he expressed the impossibleness of one to leap into a peculiar river more than one time. This point of position about the dynamic nature of society continued for long when philosophers became instead convinced that the onward thrust of society hinged on changeless Torahs. Recently, the evolutionally nature of society is considered to be progressive and that it relents more or less on medley, lampoon, or self-aware appropriations through humanistic disciplines, doctrine and other humankind-related-creativity that are projecting civil, modern, and modernised society into the post-modern epoch, arguably. This paper will discourse Post-Modernism and how remix civilization has affected or influenced it. Opportunities offered by discussed remix schemes to cultural and political reviews of post-modernism will besides be considered.

We will write a custom essay sample on
Post Modernism In The Society Cultural Essay
or any similar topic only for you
Order now

To understand the subject clearly, modernism will be explained and so post-modernism and the cultural and political review offered by remix civilization will be discussed suitably.

Modernism is a term that is systematically used in the description of society ‘s progressive motion, which is a cardinal period of Enlightenment in the history of the Western universe, dating to the closing of the 18th century. The terminal of the 18th century was distinguished by three foremost forces:

Intellectualism- there was a zoom of domination of cognition over deficiency of cognition ;

Realism- Science progressed above false belief and superstitious notion ; and

Conduct- methodicalness overpowered upset.

To many, these were so indispensable planetary values that where useable tools for demilitarizing leading of the clip. These were arms to direct off block-headed cruel or oppressive swayers, for good. Modernity was so considered to be a ‘revolution ‘. This was idiosyncratic of the 1789 Gallic Revolution when the governing category of the state was wiped in cold blood and the debut of capitalist economy was heralded in manner with makeover of the broken society. This cardinal point of view created the foundation upon which world attained advancement. Humanity ne’er felled back to the Golden Age, but instead built upon the bedrock of Enlightenment and utilised efficaciously applications of ground. This is stated by Leonard as follows:

‘It was through ground that enlightenment, the conceiving of infinite possibilities, would enable the emancipation of humanity to take topographic point: emancipation from ignorance, poorness, insecurity and force ‘ ( Leonard, Park. 1997 ).

Not excessively long ago, the cosmopolitan belief for an emancipating motion for trials and tests of worlds gave manner to the strong belief that society had transformed. Then there came in the manner of the transmutation dearth, wars, and all kinds of immorality induced by worlds. Of class, this was portion of the motion for transmutation of society and world.

By the terminal of the 1970s, the inquiry began to be considered among Gallic minds about the zoom of society, and whether it was driven at all. There was the denier of the point that worlds were still in the modern period which had been introduced by Enlightenment, two centuries back ( Lash, Samuel and Friedman James. 1992 ). To this school of idea, modernisation introduced a period of scientific thought and capitalistic industrialisation every bit good as the likeliness of atomic conflicts, bondage and neo-colonialism, horror, racism, Euro-centralization, and huge hungriness in 3rd universe states. The bequests of Enlightenment were non peculiarly friendly, so, the minds concluded ( Anderson, Paul. 1998 ). It was better to see the theories by which modernism stood as been harmful and awful. Surely, world had moved wholly in front of modernism into a post-modern age.


Post-modernism has been defined as a leaning in contemporary civilization typified by slight of purposeful truth and world-wide traditional meta-narrative or answerability ( Jameson, Fredrick. 1991 ). However, this definition can non be relied on wholly because it falls to place wholly with the broad point of views of post-modernism which include response the implicitly scientific nature, objectiveness, and effort to clarify world. The definition has besides non complied with the fact that:

Postmodernism is used in critical theory to mention to a point of going for plants of literature, play, architecture, film, news media, and design, every bit good as in selling and concern and in the reading of jurisprudence, civilization, and faith in the late twentieth and early 21st centuries ( Georg, Iggers. 1997 ).

There is a complexness in happening a really dependable definition that satisfies wholly the subject of station modernism, hence, due to its much diversified nature as the bulk of definitions on the subject are awfully obscure and habitually incoherent to others. There is a farther complexness in deep distinction between modernism and station modernism since the both could be linked with rational motions and aesthetics which are common in literary humanistic disciplines and doctrine.

‘…modernity and post-modernity have tended to be used to mention to alterations in societal and economic establishments ‘ ( Giddens, Amber. 1990 ).

The context of cognition of post-modernism in this paper will be limited to Humanistic disciplines and doctrine to avoid perplexity.


In consideration of post-modern art, it is proper to province that this is a little more than sculptural and paint art. Post-modern art besides involves architectural, musical, dramatic, and literary humanistic disciplines with a major vague significance and deepness. It is characterized by content and signifier diverseness. Therefore, art critics have based their critic of post-modern art on the feature of its vagueness. For illustration, Callinicos argued:

… multidimensional and slippy infinite of post-modernism [ where ] anything goes with anything, like a game without regulations. Floating images … maintain no relationship with anything at all, and intending becomes detachable like the keys on a cardinal ring. Dissociated and decontextualized, they slide past one another weakness to associate up into a consistent sequence. Their fluctuating but non mutual interactions are unable to repair significance ( Callinicos, Awender. 1989 ).

The ready credence to this critic is based on the non-specified emergent manner of architectural plants around us in the past few decennaries where edifice designers seems to be wholly dependent on remix of the past plants. Most of the most idolized metropoliss around us are really merchandise of ‘rejuvenation ‘ by certain designers in a pursuit to satisfy their adept phantasies. A really interesting illustration of this is the London Docklands. Even in developing states like Nigeria, in Africa, art has gone ‘old school ‘ and manner, music and architecture has followed suite. Another critic says:

Using operatic arias to advance football lucifers, classical music to carry us to wing a peculiar air hose, watching Pavarotti in the Park – there is no longer a differentiation between high and popular civilization [ ‘anything goes with anything, like a game without regulations ‘ ] ( Layder, Dye. 1994 ).

The media ‘s addition and power, culturally, through movies, telecasting or advertizements has contributed vastly to the perceptual experience people have on society. Kumar is of the point of position that post-modernists consider the media somewhat otherwise from the customary thought of a mere communicating agencies. The contemporary media, for them, is non rather a communicational device ; it is an wholly fresh environment for the contemporary human- the sort of environment were one is wholly engrossed to societal epistemology. Peoples can interact with computing machines for hours in entire disdain of the company. Kumar concludes:

The media have created a new ‘electronic world ‘, suffused with images and symbols, which has obliterated any sense of an nonsubjective world behind the symbols … In hyperreality it is no longer possible to separate the complex number from the existent ( Kumar, Kanger. 1997 ).

This point of view was foremost recognized by Baudrillard Jean who initiated the theory of ‘reality ‘ as been an interchange of marks and Opss in semantic Acts of the Apostless through digital engineering and electronic media for the ingestion of the spectator. The theory contended that in a state of affairs as stated, there is a withdrawal of the topics from the consequences of happenings ( including artistic, philosophical or personal ) such that events loss identifiable position. He held to the claim that a steady flow of signifiers and orientation that do non posses a direct consequence a spectator would surely make a spread between an object, indiscernibly, and visual aspect, and would ensue, paradoxically, to holography of visual aspect.


During the latter portion of the sixtiess, the US and Western Europe were caught up in political quandary. Inclinations for important political transmutation in the twelvemonth 1968 were obvious in the Western universe consequent of motion such as the Chicano which kind for true release for bush leagues. In France, the battle was debatably instead terrible. This resulted to weakening of the big sway which had antecedently been exercised by the elephantine Communist Party ( where a bulk of bookmans owned sensible committedness ). This disillusion resulted to their withdrawal from political personal businesss and attendant incredulity in political theories like Marxism. Even though they had many disagreements, they accepted the fact of a staccato and plural nature identifiable with world. They disagreed with human ideas on the possibility to make important nonsubjective accounts of world. Political orientations or societal theories that supported world activities as ways to show the order or advancement of society were considered to be conceited and without credibleness, post-modernist argued. All that was done in clip yesteryear is justly in the control of the informed against the non-informed.

Deductions of Remix Culture on Post-Modernism

The deduction of remix civilization on post-modernism is the doomed of values and personal individuality. In schools, originality is fast giving manner to pastiche. Students are loath to larn or interact with society in traditional formats, except through digital machines- which they are to a great extent reliant on. Obvious, there is a quandary here!


This paper takes a expression at the evolutionally nature of society considered to be progressive and which relents on medley, lampoon, or self-aware appropriations through humanistic disciplines, architecture, and other humankind-related-creativity which are projecting civil, modern, and modernised society into the station modern epoch. It has besides discussed Post-Modernism and how remix civilization has affected or influenced it.


Hi there, would you like to get such a paper? How about receiving a customized one? Check it out