Books related to Supernatural in Shakespeare’s Plays-
Supernatural in Shakespeare’s Plays-
In the time of William Shakespeare there was a strong belief
in the existence of the supernatural. Thus, the supernatural is a
recurring aspect in many of Mr. Shakespeare?s plays. In two such plays, Hamlet and Macbeth, the supernatural is an integral part of
the structure of the plot. It provides a catalyst for action, an insight into character, and augments the impact of many key scenes.
The supernatural appears to the audience in many varied forms. In Hamlet there appears perhaps the most notable of the supernatural
forms, the ghost. However, in Macbeth, not only does a ghost appear but a floating dagger, witches, and prophetic apparitions make
appearances. The role of the supernatural is very important in Hamlet and Macbeth.
A ghost, appearing in the form of Hamlet?s father, makes several appearances in the play. It first appears to the watchmen,
Marcellus and Bernardo, along with Horatio near the guardsmens’ post. The ghost says nothing to them and is perceived with fear and
apprehension, ?It harrows me with fear and wonder?. It is not until
the appearance of Hamlet that the ghost speaks, and only then after
Horatio has expressed his fears about Hamlet following it, ?What if it
tempt you toward the flood, my lord, or to the dreadful summit of the
The conversation between the ghost and Hamlet serves as a
catalyst for Hamlet?s later actions and provides insight into Hamlet?s
character. The information the ghost reveals incites Hamlet into
action against a situation he was already uncomfortable with, and now
even more so. Hamlet is not quick to believe the ghost, ?The spirit
that I have seen may be a devil… and perhaps out of my weakness and
my melancholy..abuses me to damn me?, and thus an aspect of Hamlet?s
character is revealed. Hamlet, having no suspicion of the ghost after
the production by the players, encounters the ghost next in his
mother?s room. In this scene the ghost makes an appearance to ?whet?
Hamlet?s ?almost blunted purpose?. Hamlet is now convinced of the
ghost and he no longer harbors any suspicion. He now listens to it,
?Speak to her, Hamlet?.
In Hamlet, the supernatural is the guiding force behind
Hamlet. The ghost ask Hamlet to seek revenge for the King?s death and
Hamlet is thus propelled to set into action a series of events that
ends in Hamlet?s death.
The supernatural occurs four times during the course of
Macbeth. It occurs in all the appearances of the witches, in the
appearance of Banquo?s ghost, in the apparitions with their
prophesies, and in the ?air-drawn? dagger that guides Macbeth towards
Of the supernatural phenomenon evident in Macbeth the witches
are perhaps the most important. The witches represent Macbeth?s evil
ambitions. They are the catalyst which unleash Macbeth?s evil
aspirations. Macbeth believes the witches and wishes to know more
about the future so after the banquet he seeks them out at their cave.
He wants to know the answers to his questions regardless of whether
the consequence be violent and destructive to nature. The witches
promise to answer and at Macbeth?s choice they add further unnatural
ingredients to the cauldron and call up their masters. This is where
the prophetic apparitions appear. The first apparition is Macbeth?s
own head (later to be cut off by Macduff) confirming his fears of
Macduff. The second apparition tells Macbeth that he can not be harmed
by no one born of woman. This knowledge gives Macbeth a false sense of
security because he believes that he cannot be harmed, yet Macduff was
not of woman born, his mother was dead and a corpse when Macduff was
born. This leads to Macbeth?s downfall. A child with a crown on his
head, the third apparition, represents Malcolm, Duncan?s son. This
apparition also gives Macbeth a false sense of security because of the
Birnam Wood prophesy.
The appearance of Banquo?s ghost provides insight into
Macbeth?s character. It shows the level that Macbeth?s mind has
recessed to. When he sees the ghost he reacts with horror and upsets
the guests. Macbeth wonders why murder had taken place many times in
the past before it was prevented by law -?statute purged the gentle
weal?- and yet the dead are coming back.
The final form of the supernatural is the ?air-drawn? dagger
which leads Macbeth to his victim. When the dagger appears to him,
Macbeth finally becomes victim to the delusions of his fevered brain.
The dagger points to Duncan?s room and appears to be covered in blood. The dagger buttresses the impact of this key scene in which Macbeth slays King Duncan. The supernatural is a recurring aspect in many of the plays by William Shakespeare. In Hamlet and Macbeth the supernatural is an integral part of the structure of the plot. In these plays the supernatural provides a catalyst for action by the characters. It supplies insight into the major players and it augments the impact of many key scenes. The supernatural appeals to the audience?s curiosity
of the mysterious and thus strengthens their interest.