The Story of Maurice White and Earth Wind and Fire Essay

The reason I decided to prepared my paper on Maurice White, the founder of Earth Wind and Fire is because of the fond memories that I have listening to my parents music. Music from the parents era is very different from the music of today. Music from that era was more love oriented, rhythmic and rich in science of music and musical arrangements. Artists my parents are fond of consists of music from such groups as the Four Tops, the Dells, the Dramatics, Harold Melvin and the Blue Notes, the Chi-Lites and Stylistics.

They also list Junior Walker and the All-stars, Al Jaureau, and Ronnie Laws, among others, as jazz groups. However, Earth Wind and Fire’s sound is unique and quite different from all other groups of that era. In the early 1970s, a new brand of pop music was born – one that was steeped in African and African-American styles – particularly jazz and Rhythm and Blues (R&B) but appealed to a broader cross-section of the listening public.

We will write a custom essay sample on
The Story of Maurice White and Earth Wind and Fire Essay
or any similar topic only for you
Order now

The musical band Earth, Wind & Fire, produced a sound that embraced traditional sounds of jazz, coupled with the popular R&B type ballads of the day and ushered in a new awareness of cosmic energy that revolutionized the music world and helped bridge the gap that has often separated the musical tastes of black and white America. During this period of time in our history, America was bogged down with the morality of the Viet Nam War, coming out of a decade of experimentation, mind expansion and cosmic awareness. It was a very enlightening period in time in which Marvin Gaye asked the question, in his most popular single, “What’s Going On? The credit for the formation of the group belongs to Maurice White. Maurice White was born December 19, 1941, in Memphis, Tennessee. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. At age six, he began singing in his church’s gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.

A childhood friend, James Webb recalled Maurice’s love of music prior to his days in Booker T. Washington High School in Memphis with the formation a neighborhood band which included the use of garbage cans for drums and singing acappella to sounds of such artists as John Coltrane, Miles Davis, Bach, Mozart, and Sly and the Family Stone. 1 All of these styles played a role in the development of Maurice’s musical identity. After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music.

He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. During his stint with the Ramsey Lewis Trio, Maurice the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.

In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the “Salty Peppers,” and had a marginal hit in the Mid-western area called “La La Time. ” That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead. After relocating to Los Angeles and signing a new contract with Warner Brothers, Maurice simultaneously made what may have been the smartest move of his young career.

He changed the band’s name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice’s spiritual approach to music – one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.

Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, “I Think About Lovin’ You,” provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film ‘Sweet Sweetback’s Baadasssss Song’. Maurice White, influenced and inspired by decided to create a band that would spread the message of love, unity, peace and harmony that would transend all races and touch audiences all over the orld. The name of the group would be called Earth, Wind & Fire. Earth Wing and Fire combined high-caliber musicianship, wide-ranging musical genre eclecticism, and ’70s multicultural spiritualism. The group has inspired other R&B groups such as the “Ohio Player,” “GAP Band” and “the Dazz Band” … Earth Wind and Fire first had its success when it introduced to the world with “Last Days and Time,” which the group recorded in the Spring of 1972. This album introduced the world to the sound of the kalimba, an instrument Maurice found in a Chicago drum store. as a success and the band began touring. In 1973, the band recorded “Head to the Sky. ” With the album came more personnel changes with Ronnie Laws and Roland Bautista’s departure and Johnnie Graham and Andrew Woolfolk’s arrival. Two hits emerged from this album “Evil” and “Keep Your Head to the Sky. ” I wanted our music to convey messages of universal love and harmony without force-feeding listeners’ spiritual content. ” I have decided to “None of this was planned. The universe played a part in the whole thing, obviously. We just took our cues from the universe and kept moving on. The album was a success and the band began touring. In 1973, the band recorded “Head to the Sky. ” With the album came more personnel changes with Ronnie Laws and Roland Bautista’s departure and Johnnie Graham and Andrew Woolfolk’s arrival. Two hits emerged from this album “Evil” and “Keep Your Head to the Sky. ” “Open Our Eyes” became EWF’s first platinum album. “The message in the music was clearly a reflection of Maurice White’s vision for the group. ” Maurice states, “From the very start, I had a commitment to be different in terms of music and what was projected on stage.

Coming out of a period of social confusion in the seventies, I wanted Earth, Wind & Fire to reflect the growing search for greater self-understanding, greater freedom from restrictions we placed on ourselves in terms of individual potential. ” Jessica Cleaves, the only female member departed the group before recording “Open Our Eyes. ” Jessica was not replaced and the eight-man band consisted of Maurice White, Philip Bailey, Verdine White, Larry Dunn, Ralph Johnson, Johnny Graham, Andrew Woolfolk, and Al McKay. “Open Our Eyes” yielded two hits, the conscious, not to mention funky jam, “Mighty Mighty” and the slow hypnotic “Devotion. ” That’s The Way Of The World followed, lifting EWF into the stratosphere. This was their first commercial success garning double platinum status. The group achieved their first #1 hit, “Shining Star,” and introduced us to the classic tune, “Reasons. ” By this timeMaurice and Verdine’s brother, Fred White had joined the grou and CBS, wanting another album, got it with EWF’s Gratitude. Maurice explained that the group did not have enough time to complete a studio album and decided to record some of their concerts. Gratitude was EWF’s only live album, and earned double platinum status an “unhearlded occurrence for any black group of the day. During the recordings for “Spirit,” which would be EWF’s 6th double platinum album, Maurice’s mentor Charles Stepney was felled by a heart attack. The title track “Spirit” was written with him in mind, and the album was dedicated to him. “All n All” says Verdine White was one of the hardest records I ever worked on. ” During this time, Maurice was producing other acts for Kalimba Productions, his own company. Those acts included Deniece Williams, and the Emotions. “All n All” went double platinum and gave us songs like “Ill Write a Song For You”,”Be Ever Wonderful,” “Jupiter,” “Fantasy. “

By now, the group had moved into large venus playing Madison Square Garden. An EWF concert had now become a spectacular stage production featuring the magic tricks of Doug Henning. The elaborate costumes combined with the magic tricks wowed audiences all over the world. To see each member decend into a pyramid and disappear, to have Freddie White’s drum sticks rise in the air, while still playing, drove the audiences into a frenzy. The group released a “Best of EWF,” which featured another hit single, “September. ” By the year 1979, we saw EWF hit the dance music charts with Boogie Wonderland, which featured the Emotions. Boogie Wonderland” was from the group’s next double platinum album entitled “I Am. ” During this time the stress and pressure were hitting the group. The Record company wanted more and more, and the strains of holding a record label, and production company, as well as the regors of learing EWF were beginning to take its toll on Maurice White. In 1980, “Faces” was released. This album was a relative commercial disappointment, earning only gold status. The music industry was undergoing a transitional period at this time.

A recession had hit the music industry as well as the emergence of the disco and video age. Earth Wind & Fire came back with “Raise,” which became double platinum. Al McKay had left the group and was replaced by former EWF member Roland Bautista. “Powerlight” reached gold status, but the group was beginning to lose its shine. EWF did not achieve the same critical acclaim for “Powerlight” that they were accustomed too. “Electic Universe was released “too quickly” says Maurice White. The album was not a success for the group, not even earning gold status.

Says Maurice “CBS wanted another “Let’s Groove. ” Personally, I’d had it. I’d been making albums for 12 years non-stop with almost no breaks from touring. I called a meeting and told everyone where I was at. ” EWF did not record from 1983-1987. Maurice produced other artists and recorded his own album. Philip along with Phil Collins earned a #1 pop hit and also recorded gospel music as well. In 1987, EWF was back in the studio with “Touch The World” earning a hit with the single “System of Survival. ” Presently, EWF can be found on the soundtrack for Spike Lee’s movie “Get On The Bus. In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals – formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.

A performance at New York’s Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield.

Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of “Evil” and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included “Mighty Mighty” (number four R&B) and “Kalimba Story” (number six R&B). Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire.

It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis’ other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966. The inspiration for “Shining Star” (one of EW&F’s most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the ’70s.

The track was originally included in the ‘That’s The Way Of The World’ movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). “Shining Star” glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That’s The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad “Reasons,” an extremely popular radio-aired album track.

The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was “Singasong” (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad “Can’t Hide Love” (number 11 R&B), and the popular radio-aired album tracks “Celebrate,” “Gratitude,” and the live version of “Reasons. ” In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single “Getaway” and “Saturday Nite. Spirit is remembered as one of EWF’s best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice’s main collaborator on his EWF projects. The multi-platinum album All ‘N All peaked at number three pop in late 1977, won three Grammy’s, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were “Serpentine Fire” (number one R&B for seven weeks) and “Fantasy. The group’s horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound. During this time, Maurice produced several artists such as The Emotions (1976’s Flowers and 1977’s Rejoice which included the number one R/pop hit “Best Of My Love”) and Deniece Williams (1976’s This Is Niecy which included the Top Ten R&B hit “Free”). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.

The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles’ “Got To Get You Into My Life” went to number one R and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie ‘Sgt. Pepper’s Lonely Hearts Club Band’. Another single, “September,” made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track “Love’s Holiday” from All ‘N All. Their live performances were stellar as well. Sellout crowds were spellbound by the band’s bombastic performances.

Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire’s message was one of universal harmony, in both musical and cultural senses. “We live in a negative society,” Maurice told Newsweek. “Most people can’t see beauty and love. I see our music as medicine. ” The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single “Boogie Wonderland” with

The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad “After The Love Has Gone,” written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles “Let Me Talk” (number eight R&B), “You” (number ten R&B), and “And Love Goes On. ” The million-selling funked-up “Let’s Groove,” co-written by The Emotions’ Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF’s career, parking at number one R&B for eight weeks and number three pop, causing their Raise! lbum to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated “Fall In Love With Me. ” Their 1983 Electric Universe album stalled at number 40 pop, breaking the band’s string of gold, platinum and multi-platinum albums. In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday.

Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, “System of Survival” and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II. In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band’s entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case.

In 1993, EWF released the album, Millennium that included the Grammy-nominated “Sunday Morning” and “Spend The Night. ” Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997’s In The Name Of Love; 2002’s That’s The Way Of The World: Alive In ’75; Live In Rio which was recorded during their 1979 “I Am World Tour;” 2003’s The Promise, which included the Grammy-nominated “Hold Me” and 2005’s Illumination, which included the Grammy-nominated “Show Me The Way. In 2000, the nine-piece ’70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary ‘Earth, Wind & Fire: Shining Stars’, which contains rarely seen historic video footage along with in-depth interviews with the band members.

Even though Maurice is no longer a part of the touring group, he remains the band’s heart and soul from behind the scenes as composer and producer. Maurice reflects, “I wanted to create a library of music that would stand the test of time. ‘Cosmic Consciousness’ is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace. “


Hi there, would you like to get such a paper? How about receiving a customized one? Check it out